betony

Hello, thank you for creating for me! I'm also primeideal on Ao3. Treats are enabled.

Note for this particular exchange: I hope to be traveling at the time gifts are revealed, I may not be able to comment promptly. I look forward to savoring my gift when I have time to sit at a computer and read!

DNWs:

-explicit sex (but fade-to-black or innuendo is fine)

-underage characters having sex

-rape/noncon

-moralizing/didactic stories (characters Learning An Important Lesson about the value of tolerance, etc.)

-non-canonical allegories of current events and/or contemporary politics

-themes of cynicism or futility, or that the (canon's) main plotlines "are for nothing"

Dune Movies

Chani & Liet

(Formats: Books/Articles, Journals/Diaries, Letters/Emails/Audio/Video transcripts)

Chani doesn't have a last name in movie canon, so if you're working just from the movies--what relationship do these two have? Something comparing and contrasting their relationships to Fremen religion/prophecy/fate versus free will, or interactions with the empire, could be neat. Scientific articles that Liet writes? Is she training Chani as a successor?

Alternatively: in book canon, Liet is Chani's father, suggesting that movie!Liet could be Chani's mother, which adds another layer of delicious wrinkles to everything. Letters they write when Liet is away on empire business? Is Chani curious or resentful about her family elsewhere in the galaxy? What hopes does Liet have for Chani, even if they never leave the pages of her journal?

Stormlight Archive

Shallan & any

(Formats: Books/Articles, Journals/Diaries, Letters/Emails/Audio/Video transcripts)

I think there's a lot of potential for correspondence in the post-canon era, with Shallan trying to communicate via seons from the Cognitive Realm. Worrying about Adolin? Theorizing with Navani or Jasnah as to what this might mean for the Radiants? Mentoring Gaz or some of her other squires remotely? Negotiating with Thaidakar? (I'm familiar with the rest of the Cosmere if you want to work in characterization/worldbuilding from other Cosmere books.) Trying to track down her family?

If you're interested in Shallan/Adolin, feel free to make it shippy, but I'm not interested in poly-shipping for this request. I subscribe to (and enjoy) the theory that Shallan is pregnant when we see her last, so I'd be happy with an OC kid showing up, but no need to include that if it's not something you're interested in.

It would also be neat to see more from Shallan's journals/sketchbooks/research during canon. Assignments she completed for Jasnah in Kharbranth? More of the spanreed notes from when she was "texting" Adolin in his self-imposed jail term? Research articles about the Radiants or Unmade?

I'm not super interested in Shallan's alter egos, so I'd prefer if they weren't a focus (mentions are fine).

Worst Journey

Birdie & Cherry & Wilson, Birdie/Cherry

(Formats: Books/Articles, Journals/Diaries, Letters/Emails/Audio/Video transcripts)

I love the contrast of all the different character voices--not just narrator!Cherry writing a decade after the fact, but also diary!Cherry in the moment and epistolary!Bowers being very proud of his cute green hat. Maybe another incident with different POVs on the same event, whether it be future!Cherry interweaving his voice with present!Cherry or just the contrast between different voices in people's respective diaries/letters home? (Doesn't have to be limited to the requested characters, outside POV from other crew is also great!) Letters they wrote to each other after the return party turned back, for dramatic irony and sadness?

For the tag "books and articles" in particular I'm imagining canon-divergence AUs. Everyone lives and Wilson gets to write nerdy research papers about the penguin eggs? The Winter Journey ends in tragedy, and maybe that changes the approach the polar party takes? Atkinson leads the group to search for Campbell's party in late 1912 and the world doesn't find out for years (or ever?) how close Scott et. al got? (Any of these premises could also work for other formats, of course!)

As usual, all of this is optional, anything about these fandoms/relationships will be great. Thanks for creating for me!

I had read a few reviews of "Back to the Future: the musical" when it opened on Broadway, and the reviews boiled down to: 1. the DeLorean is great, 2. they tried really hard to stay faithful to the movie and not cut anything important, but they also added a bunch of songs, so it's lengthy, 3. reviewer didn't care much for the movie because it didn't flatter their preconceptions, and the musical isn't any better, we have to be more edgy instead of just nostalgia bait. I figured 2 and 3 would not be big drawbacks for me, and it was in Baltimore, so sure.

It was...fine? I didn't dislike it in an "didn't flatter my ideological preconceptions" way, but the intro felt rushed (trying to establish Marty's siblings as characters, over-the-top hamming, etc.) This is just based on the original movie, not the sequels.

Anyway, here are some things that I think they could have done differently, especially because it's an adaptation. I'm not sure I'd necessarily enjoy all of these, just things that might be interesting to try.

Arguably the relationship at the core of the movie is Marty & Doc's friendship! Let them sing a duet together!
The character of Jennifer (Marty's girlfriend) could easily be cut. At the end of the movie it's like "come quick, your kids are in trouble!" and then that actress didn't want to do the sequels, so they just...awkwardly wrote her out. Jennifer in the musical doesn't do anything useful either.
I understand that we kind of need Marty's siblings to set up the photo as a symbol of temporal paradoxing, but again, they just showed up in the intro song to establish one-note characterizations, then were different in the alternate timeline of the ending. I feel like the first few scenes in 1985 could have been more streamlined/less ludicrous "And Now We Are Breaking Into Song" moments.
Doc has a song called "For the Dreamers," where he talks about his scientific heroes--he has pictures of Edison and EInstein on his wall, etc. But he's also like "yeah, some people fail a thousand times before they get it right, some people just...fail a thousand times." IDK, I kind of like the idea, but the execution of "the people who weren't successes matter too" could have been better.
The lampshading of "don't tell me about the future, I don't want to know, don't create a paradox" being resolved with "oh what the hell" is underwhelming plotwise. Maybe an adaptation where Doc actually dies? Or instead of Marty getting the message to him, someone like Mayor Wilson or Biff inadvertently changes the future based on Marty's meddling?
Sometimes people interpret the ending as fridge horror--Marty is the only person who remembers his original timeline, his family can't understand why he's not "their" Marty, etc. What if instead it doesn't change, but Marty is like, "hey, Dad, did you ever write science fiction books?" or something. Then we learn that George has been keeping up his hobby the whole time, he's just too embarrassed to share it with anyone, but Marty gives him a nudge to be a little more assertive in the future?
My mom's review of Wicked when we first saw it in 2008 was "this is going to be the best high school musical because both the lead roles are women and there are so many more girls than boys of high school age who want to do musical theater." What about always-a-girl AU for Marty and Doc? I like the idea of eccentric spinster Emily Brown still going by "Doc," but facing a little more side-eying/social awkwardness in Hill Valley. Is the love triangle different with girl!Marty in 1955? Does Biff flirt with her and get out of Lorraine's way? Is her alias "Victoria Secret" instead of "Calvin Klein"? :D

( Ending spoilers )

Again, not really saying anything new here, just trying to articulate part of the problem that makes lots of sense in my head but maybe isn't obvious to everyone else...

( Read more... )

Didn't agree with everything in this article, but it had an interesting deep dive into the translation of the Biblical phrase "love your enemies"

The Greeks had at least two words for enemies. An echthros was someone hated, a personal enemy. Polemioi were the people of a city that one's own community was contending against. (The root polemos means "war.")
...
The verb form is second-person imperative. Unlike English, Greek also has a third-person imperative, which is awkward to translate. If Jesus had used it, one might translate this commandment as "Let them love enemies," or passively as "Let enemies be loved." But the commandment is addressed to you.

"Echthroi" shows up in Madeleine L'Engle's "A Wind In The Door," I didn't realize that was a Biblical Greek word!

One of the simplest and purest pleasures in fiction is to ride along as an unhappy person becomes happier, and this at the heart is the charm of the self-pub coming-of-trans novel Our Simulated Selves.

On first glance the premise of this one could seem dire: depressed incel, told by dream girl that they would not date even if the incel was the "last man on Earth," uses advanced brain-scanning technology and giant quantum supercomputer to set up a simulation world where literally everybody else on Earth does disappear immediately after that argument, and see how long it takes sim self and dream girl to get together in this apocalypse scenario. (The reader, who has already seen our protagonist describe dysphoric brain fog and experience mysterious joy about playing a girl character in D&D, will at this point certainly have some ideas about the ways that this sad incel is working from some fundamentally incorrect principles.)

Most of the book is from the POV of sim protagonist with occasional outside-world interjections and responses from the simulation runner, which means you also get sort of a fun inside/outside view of an apocalypse-ish survival situation -- within the simulation, protagonist and dream girl are running around gathering up non-perishable food and trying to figure out how long the power grid is going to last; meanwhile, outside the simulation, Protagonist Zero Version is like 'shit, I didn't really think through that they'd be treating this like an apocalypse and I forgot to write any code for food spoilage!' But the main satisfaction of the book is in watching our protagonist go through the work of transformation to become a better and happier person -- with a little added weight, because at the same time we're also seeing the worst and cruelest and most unhappy version. Overall I found the reading experience really charming and sweet!

So for Christmas I got a cute little lunchbox with vintage baseball stickers on it, because of course. Then a week ago I misplaced my e-reader, even though I knew I had it on the train, it couldn't have gone far. I had brought the lunchbox because I wanted to store the e-reader and a new physical magazine subscription my cousin-once-removed got for me (my go-to Christmas wish list for the last couple years has been just "IDK, support some SFF short fiction markets, maybe get me a paywalled one) and some bananas for lunch for a long day of bell-ringing all in one place. You can tell where this is going.

Yes, after diligently calling the lost-and-found, uploading my "lost item" request (the e-reader is covered in a bunch of stickers I got from a Brandon Sanderson kickstarter, you'll definitely know it if you run across it!), etc. I finally checked the lunchbox again even though I had already checked it because it could not have gone far. The e-reader was standing on its side. Just pressed against the wall. Being stealthy.

So yeah, I am 100% my mother's child in some absentminded ways.

Now that that's back on track I'm continuing to have a normal and hinged amount of Antarctica feelings and/or working on speculative (?) poetry for some new calls. I get the sense that a lot of these editors like free verse a lot more than I do, so one of the poems at least will be more freeform than most of my stuff. But a lot of it winds up being blank verse/iambic pentameter because I'm just like that, apparently!

I never got around to writing up Anne McCaffrey's The Mark of Merlin when I read it last year, but I've been thinking about McCaffrey a lot recently due to blitzing through the Dragons Made Me Did It Pern podcast (highly recommended btw) and

osprey_archer asked for a post on my last-year-end round-up so now seems as good a time as any.

The important thing to know about The Mark of Merlin is that -- unlike many of the things I've read recently! -- it is not, in any way, the least little bit, Arthuriana. They are not in Great Britain. There are no thematic Arthurian connections. There is absolutely zero hint of anything magical. So why Merlin? Well, Merlin is the name of the heroine's dog, and he's a very good boy, so that's all that really needs to be said about that.

Anyway, this is McCaffrey writing in classic romantic suspense mode a la Mary Stewart or Barbara Michaels, and honestly it's a pretty fun time! Our Heroine Carla's father Tragically Died in the War, so he asked his second-in-command to be her guardian and now she's en route to stay with Major Laird in his isolated house in Cape Cod. Tragically scarred and war-traumatized Major Laird has no Gothic-trope concerns about this because Carla's full name is Carlysle and her dad accidentally forgot to tell him that the child in question was a daughter and not a son; Carla is fully aware of the mixup and but has not chosen to enlighten him because she thinks it's extremely funny to pop out at Major Laird like "ha ha! You THOUGHT I was a hapless youth and wrote me a patronizing letter about it, but INSTEAD I am a beautiful and plucky young co-ed so joke's on you!"

There is an actual suspense plot; the suspense plot is that Someone is hunting Carla for reasons of secret information her dad passed on in his luggage before he died, and also his death was under Mysterious Circumstances, and so we have to figure out what's going on with all of that and eventually have a big confrontation in the remote Cape Cod house. But mostly the book is just Carla and the Major being snowed in, romantically bickering, huddling for warmth, cooking delicious meals over the old Cape Cod stove, etc. etc. Cozy in the classic sense, very little substance but excellent for reading in a vacation cottage while drinking tea and eating a cheese toastie.

As a sidenote, I did not know until I started listening to Dragons Made Me Do It that McCaffrey's Dragonflight preceded The Flame and the Flower, the book that's credited as being the first bodice-ripper romance novel and launching the genre of historical romance as we know it today, by a good four years. It's interesting to place this very classic romantic suspense novel -- which was published almost a decade after Dragonflight, but, at least according to this Harvard student newspaper article I turned up, at least partially written in 1950 -- against the full tropetastic dubcon-at-best dragonsex Pern situations, which clearly belong to a later moment. And speaking of later moments, it's also a bit of a mindfuck for me to think very hard about McCaffrey's place in genre history and realize how very early she is. I was reading McCaffrey in the nineties, against Lackey and Bujold. Reading her in conversation with Russ and LeGuin is a whole different experience.

But this is all a tangent and not very much to do with The Mark of Merlin, a perfectly fun perfectly fine book, very short on the wtf moments that have characterized most of my experiences with McCaffrey, and if anything comes late to its moment rather than early.

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betony

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Reading

Dear Pen Pal (Unsent Letters 2026)

I'm gonna rise to glory in/my stainless steel DeLorean

this has nothing to do with anything but it could be antarctica vagueblogging, I guess

Etymology fun times

(no subject)

Follow-up